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James Farmer and Rex Koontz
1. Grieder’s Theory of Symbols in the Discourse of Art History
2. The Lack of “Creativity” in Pre-Columbian Art: Terence Grieder’s Early Scholarship and Recent Rock Art Studies
3. The Shape of Place: The Lower Pecos Canyonlands as a Chicomoztoc?
Carolyn E. Tate
4. 1492 BCE: A New World of Pre-Columbian Painting
Reinaldo Morales, Jr.
5. Some Thoughts about Mimbres Pottery and Mortuary Customs
Harry J. Shafer
6. Mapping Motifs and Techniques: Tracing the Development and Transmission of Cupisnique-style Engraved Head Images
Yumi Park Huntington
7. Wari and the Huaca del Sol: Max Uhle’s 1899 Textile Collection at Moche, Perú
8. The Disembodied Eye in Maya Art and Ritual Practice
Virginia E. Miller
Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder by James Farmer is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, except where otherwise noted.